![]() I know there have been comparisons - I don’t see it myself. “When she did Bond, and that album 21 and even now with 25 - she’s really moving mountains and doing incredible things, and it leaves an amazing space for artists like me. “Adele is an unbelievable unicorn of an artist,” he gushes. Smith found making a Bond song in the footsteps of countrywoman Adele to be both intimidating and exciting. I was actually singing melodies and Jimmy was playing my melodies on the piano.” Smith continues, “I just started singing ‘Writing’s on the wall’ - I didn’t know what it meant while I was singing it, but that was the lyric that I was singing when we wrote the melody - and we went from there.” In terms of working with Napes - “I just have an amazing connection with him,” Smith says - does one write the music and the other the lyrics? “Every song is completely different,” he emphasizes, “but for ‘Writing’s on the Wall’? I don’t play an instrument, so Jimmy was on the piano. ![]() Grammys: LL Cool J Back for Fifth Year as Host There are other Bond films where I think, ‘If I got that script, I wouldn’t have been able to write a song because I wouldn’t have known where to come from.’ I felt a connection to this script.” And it did, you know? The moment I heard about the love story and the ending of the film and things like that, I knew it fit for me. “I wanted to know what the main themes of the story were,” he explains, “and also to know if it was going to suit my style of writing. “I’ve been a huge fan of the Bond films and Bond songs all my life,” Smith says, “so I let my team know that it was something I would love to attack - but I didn’t think that I would have the opportunity to do it so soon in my career! The next thing I knew, I got a call from Barbara Broccoli, so I went to Pinewood Studios and they gave me the script.”Īs much as Smith had hoped to do a song for a Bond movie, he felt he needed to carefully read the script before committing. ![]() (Of the 23 Bond films prior to Spectre, Adele’s song was the first winner the other songs, which came up short, were “Live and Let Die” from 1973’s Live and Let Die, “Nobody Does It Better” from 1977’s The Spy Who Loved Me and “For Your Eyes Only” from 1981’s For Your Eyes Only.) In fact, even with its occasional missteps, "Spectre" is strengthened by what comes next.“Writing’s on the Wall,” which Smith wrote with his longtime collaborator Jimmy Napes, already has been nominated for the best original song Golden Globe and Critics’ Choice awards, strong indicators that it could become the fifth song from a Bond film to land a nom via the Academy’s music branch. Does Christoph Waltz as the legendary adversary work? Absolutely. There's also the expected but equally cool moment that reveals Oberhauser has taken the alias of Stavro Blofeld, linking this corner of the Bond franchise to one of its key bad guys. Here, Bond uncovers another mysterious group known as Spectre, which links to all of his previous missions - and the loved ones he'd lost in the process - courtesy of the top dog, Franz Oberhauser, who is Bond's thought-to-be-dead adopted brother.Įtching slightly into farcical territory with the origins of his new opponent, the cloak-and-dagger elements slow the film down, but don't overshadow some of the great stunts and action set-pieces that keep you interested, particularly that opening one-take shot in Mexico City. In "Spectre," Sam Mendes returned with Craig, to look further back into what made this Bond the agent we've come to know, love, and be scared of. Her last appearance in the franchise is one bubbling with a heartwarming chemistry between herself and Craig, making her one of the most memorable "Bond girls" to date. Most importantly though, "Skyfall" yet again tapped into the more human side of this damn-near unstoppable agent, and the relationship he had with Judi Dench's M. He gives us a take on the character that has earned its place in the same conversation as Connery, Brosnan, and company: Cool, calculated, and coated with that thin layer of comedic charm that all Bonds in their prime have delivered. Here, Craig is totally comfortable with the role and loving every second of it, leaving the days of uncertainty for this particular Bond in the dust. From an outstanding opening (and that boss cuff-straightening), a skin-freezing song, and a great villain in Javier Bardem's former MI6 agent, Silva, it's easily the most epic instalment of Craig's reign as Bond (other than "No Time To Die"). Released on the 50th anniversary of the franchise, director Sam Mendes' take on the hero with the license to kill is a thrill-ride, flying through the checklist of essentials that make a Bond.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |